Uchi hishigareteru toki omae wa kita / Uchinomesareteru toki omae wa kita / Yasashiku yori sōyō ni waraikakeru / Myōna mono uru tame ni omae wa kita / Minna machikogareteiru sukui no te o / Minna machitsuzuketeiru sukui no te o / Minnamachi tsukareta toki sasottekuru / Myō ni mimizawari yoku amai toke sōna kotoba de / ( mechakucha warui otoko ) sasottekuru / ( mechakucha warui otoko ) sasottekuru / ( mechakucha warui otoko ) sasottekuru / Myōna mono uru tame ni omae wa kita / ( minna machikogareteiru ) sukui no te o / ( minna machitsuzuketeiru ) sukui no te o / ( minnamachi tsukareta toki ) sasottekuru / Myō ni mimizawari yoku amai toke sōna kotoba de / ( mechakucha warui otoko ) omae wa kita / ( mechakucha warui otoko ) omae wa kita / ( mechakucha warui otoko ) omae wa kita / ( mechakucha warui otoko ) omae wa kita (Shintaro Sakamoto - Extremely Bad Man)
LET'S DANCE RAW
Graphic Design, Space Design, Painting, Printing
Personnal project
45x31,5 cm prints, 162x130 Acrylic on canvas
With: Damien Juillard

Views from the duo exhibition with Damien Juillard, at Horikawa AC Lab, Kyoto (jp).

"Challenging the borders, similarities and differences between arts and design, they’re interested in how visual expression can be considered as a separate field to written or spoken language. Through paintings, drawings, prints and editions, themes such as memories, mental landscapes, past and present are explored. The image is created and destructed in the same analogue printing process. A Research on organic shapes, on tension, on empty and full spaces. "

Experimentation in printing techniques such as silkscreen and monotype. The images represented are made of organic shapes that are linked between them by a single point of tension. As the image is printed again and again, it is gradually deconstructed as its solid form is slowly fading away.